To practice any art, no matter how well or how badly, is a way to make your soul grow, for heaven’s sake. So do it. - Kurt Vonnegut
Ricciotto Canudo, an early Italian film theoretician living in Paris, publisher of the avant-garde magazine “Montjoie!” promoting art, coined the concept of cinema as the seventh art in 1913. Canudo defended filmmaking as a new form of art, claiming it was “a superb conciliation of the Rhythms of Space and the Rhythms of Time.” He saw it as “plastic art in motion,” a combination of the other forms of art that preceded it, architecture, sculpture, painting, music, poetry, and dance. Filmmaking is now as commonplace, as unremarkable as picking up one’s phone and clicking an app. And yet movies still have the power to move us, to astonish us, to inspire us. Like all forms of art.
As we prepare to gather round our televisions to watch the Oscars with anticipation, and as those golden statuettes are awarded to the creative talents behind the year’s most popular films, directors and actors, writers and composers, designers and beyond, the creative people we see and those we don’t, we would do well to remember that this new administration is trying to defund and eliminate all grants, committees, and projects for the arts. We need to pay attention to this because it is disastrous for us as a nation.
The creative arts are a reflection of our humanity, the expression - in a multitude of forms - of our skills, our imagination, of our experiences, both individual and collective. Not only do the arts reflect our society and who we are, but all that we produce -- whether movies and theater, music, written stories, paintings and sculpture, and, yes, even our culinary contributions -- preserves our society, preserves our communities, and preserves our history.
This attempt to eliminate the arts is an attempt to eliminate our humanity, to break up our communities to suppress our individuality. Denying us the arts is denying us the conversations about culture and heritage. Erasing the arts is erasing growth and societal change and the discussions that help us understand and accept these things. Removing art in all its glorious and thoughtful forms is cutting out our collective soul.
“There will be no art, no literature, no science. When we are omnipotent we shall have no more need of science. There will be no distinction between beauty and ugliness. There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed. But always… there will be the intoxication of power…there will be the thrill of victory, the sensation of trampling on an enemy who is helpless.” - George Orwell, “1984”
We must fight this with all of our power. Do it together or alone, do it any way you can, but do it. Create, express, feel, and share.
“The Fine Arts are five in number: Painting, Music, Poetry, Sculpture, and Architecture--whereof the principle branch is Confectionery (pastry).” - Marie-Antoine Carême
My art is baking. It allows me to express myself while making others happy with what I create. And I cannot offer you a pastry more appropriate for the elegance of Oscar watching than the French gougère, the cheese puff. These light and airy yet flavorful puffs are the perfect finger food to accompany a glass of your favorite libation, whether wine or Champagne, a fruit juice or sparkling water. And while slightly technical to make, they are, if the directions are followed carefully, also quite easy and fun to make. And sublime to eat.
Embrace the evening in front of the Oscars and remember what Stella Adler said: “Life beats down and crushes the soul and art reminds you that you have one.”
Gougères
(You’ll find step-by-step photo instructions as well as the history of the gougère on my Substack)
6 tablespoons (90 grams) unsalted butter
½ cup (125 ml) water
½ cup (125 ml) milk
½ teaspoon salt
Grindings of black pepper
Pinch nutmeg
1 cup (140/145 grams) flour
4 large eggs, broken into a bowl ready to use
1 lightly heaped cup grated cheese (* see note below)
To top:
1 egg lightly beaten to blend
Extra grated cheese
For the cheese: Use fresh Parmesan, Gruyère, or another hard, mature, flavorful, nutty cheese such as comté, Emmental, or Abondance - I use half Parmesan + half one of the other cheeses, grated then lightly piled in the measuring cup. Use pre-grated or grate your own. For the topping, use either, but I prefer the Gruyère/comté/Emmental.
Preheat the oven to 350°F (180°C). Have ready a large baking sheet lined with oven-safe parchment paper.
Place the butter, water, milk, salt, a few generous grindings of black pepper, and a pinch of nutmeg in a medium saucepan. Place over medium-low heat and heat just until the butter is completely melted and the liquid is steaming.
Remove the saucepan from the heat and dump in the flour all at once. Using a wooden spoon, stir vigorously until a dough forms and keep stirring until the dough is smooth. If there are tiny lumps of flour, don’t worry as these will come out in the next step.
Place the saucepan back on medium-low heat and, stirring constantly, cook the dough for just about 2 or 3 minutes to dry it out. Stir (rather vigorously) around and up from the bottom of the pot, pressing out the tiny lumps of flour as you stir, turn, and fold the dough.
Remove the saucepan from the heat. I scrape the dough into a large Pyrex mixing bowl. Add the four eggs one at a time, stirring each egg (vigorously) into the dough to incorporate completely before adding the next until all four have been added and the dough is smooth. (this is a slippery process until the egg is worked into the dough, but keep stirring!)
Stir in the grated cheese(s).
Using a tablespoon, scoop the dough out and push onto the lined baking sheet forming small mounds (keep them light, making sure not to pack the dough). Space the mounds an inch or so apart from each other to leave room for them to rise and puff separately.
When you’ve filled your baking sheet, dab each mound of dough lightly but all over with the beaten egg and top with a bit of grated cheese.
Bake in the preheated oven for about 30 minutes, depending on how big or small you make your gougère puffs. I have the tendency to remove the gougère(s) a bit too early, which means they are undercooked in the center. Leave them in until they are super well puffed and a deep golden brown color. They will also last longer if cooked until just crispy.
Gougères are best eaten warm.
Jamie Schler is an American living in France. She owns a hotel and writes the Substack Life’s a Feast.
Beautiful the gougeres and the writing.
On the benefits of The Arts, two passages come to mind:
In Book 1 of "The Aenead", Aeneas and his band of refugees have landed on the Libyan coast. He’s seen a city in the distance, so he goes off to sneak around that city and see if there’s a chance they can get help there. He sees a lot of signs of prosperity, but nothing that would indicate they’d be welcome or even safe there.
He wanders into a grove near where a temple is being built. As it happens, there are plenty of murals / relief sculptures there, depicting the very war that Aeneas has fled from. Aeneas sighs, and says (to himself) that it means they can expect to be treated fairly and with compassion.
The exact text reads:
Sunt hic etiam sua praemia laudi;
sunt lacrimae rerum et mentem mortalia tangunt.
Solve metus; feret haec aliquam tibi fama salutem.
“Lacrimae rerum” can be translated as either “tears for things” or “tears of things”. In one sense, it implies that “the universe feels our suffering”, in another, “suffering is a part of what we are”. The next line hints at how it’s supposed to be interpreted. It translates approximately as “Release (your) fear; this fame will bring you some deliverance.” In other words, “They’ve heard of our war, we can trade on that fame.” I think the best translation of the “lacrimae rerum” line is that of Kenneth Clarke: “These men know the pathos of life, and mortal things touch their hearts.”
This happens to be the first time in the city that any sort of artwork or decoration is mentioned. When Aeneas sees it, he finally feels that he and his people have nothing to fear from the city dwellers. He takes it as a clear sign that he is not among barbarians.
A society that prizes art is one that is civilized, and can at least be reasoned with. A society that cares about Art also cares for *people* – and can be counted among the civilized nations.
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Second, On April 17, 1969, Robert R. Wilson was testifying before the Joint Committee on Atomic Energy as part of the AEC Authorizing Legislation for FY 1970 (the Atomic Energy Commission’s budget for the next year). As the Director of the National Accelerator Laboratory (eventually known as Fermilab), he was being grilled on the matter of the lab’s $250 million price tag. That would be around $2 billion today.
Senator John Pastore (D-RI) led the questioning:
𝘚𝘌𝘕𝘈𝘛𝘖𝘙 𝘗𝘈𝘚𝘛𝘖𝘙𝘌. 𝘐𝘴 𝘵𝘩𝘦𝘳𝘦 𝘢𝘯𝘺𝘵𝘩𝘪𝘯𝘨 𝘤𝘰𝘯𝘯𝘦𝘤𝘵𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘩𝘰𝘱𝘦𝘴 𝘰𝘧 𝘵𝘩𝘪𝘴 𝘢𝘤𝘤𝘦𝘭𝘦𝘳𝘢𝘵𝘰𝘳 𝘵𝘩𝘢𝘵 𝘪𝘯 𝘢𝘯𝘺 𝘸𝘢𝘺 𝘪𝘯𝘷𝘰𝘭𝘷𝘦𝘴 𝘵𝘩𝘦 𝘴𝘦𝘤𝘶𝘳𝘪𝘵𝘺 𝘰𝘧 𝘵𝘩𝘦 𝘤𝘰𝘶𝘯𝘵𝘳𝘺?
𝘋𝘙. 𝘞𝘐𝘓𝘚𝘖𝘕. 𝘕𝘰, 𝘴𝘪𝘳; 𝘐 𝘥𝘰 𝘯𝘰𝘵 𝘣𝘦𝘭𝘪𝘦𝘷𝘦 𝘴𝘰.
𝘚𝘌𝘕𝘈𝘛𝘖𝘙 𝘗𝘈𝘚𝘛𝘖𝘙𝘌. 𝘕𝘰𝘵𝘩𝘪𝘯𝘨 𝘢𝘵 𝘢𝘭𝘭?
𝘋𝘙. 𝘞𝘐𝘓𝘚𝘖𝘕. 𝘕𝘰𝘵𝘩𝘪𝘯𝘨 𝘢𝘵 𝘢𝘭𝘭.
𝘚𝘌𝘕𝘈𝘛𝘖𝘙 𝘗𝘈𝘚𝘛𝘖𝘙𝘌. 𝘐𝘵 𝘩𝘢𝘴 𝘯𝘰 𝘷𝘢𝘭𝘶𝘦 𝘪𝘯 𝘵𝘩𝘢𝘵 𝘳𝘦𝘴𝘱𝘦𝘤𝘵?
𝘋𝘙. 𝘞𝘐𝘓𝘚𝘖𝘕. 𝘐𝘵 𝘰𝘯𝘭𝘺 𝘩𝘢𝘴 𝘵𝘰 𝘥𝘰 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘳𝘦𝘴𝘱𝘦𝘤𝘵 𝘸𝘪𝘵𝘩 𝘸𝘩𝘪𝘤𝘩 𝘸𝘦 𝘳𝘦𝘨𝘢𝘳𝘥 𝘰𝘯𝘦 𝘢𝘯𝘰𝘵𝘩𝘦𝘳, 𝘵𝘩𝘦 𝘥𝘪𝘨𝘯𝘪𝘵𝘺 𝘰𝘧 𝘮𝘦𝘯, 𝘰𝘶𝘳 𝘭𝘰𝘷𝘦 𝘰𝘧 𝘤𝘶𝘭𝘵𝘶𝘳𝘦. 𝘐𝘵 𝘩𝘢𝘴 𝘵𝘰 𝘥𝘰 𝘸𝘪𝘵𝘩 𝘵𝘩𝘰𝘴𝘦 𝘵𝘩𝘪𝘯𝘨𝘴.
𝘐𝘵 𝘩𝘢𝘴 𝘯𝘰𝘵𝘩𝘪𝘯𝘨 𝘵𝘰 𝘥𝘰 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘮𝘪𝘭𝘪𝘵𝘢𝘳𝘺. 𝘐 𝘢𝘮 𝘴𝘰𝘳𝘳𝘺.
𝘚𝘌𝘕𝘈𝘛𝘖𝘙 𝘗𝘈𝘚𝘛𝘖𝘙𝘌. 𝘋𝘰𝘯’𝘵 𝘣𝘦 𝘴𝘰𝘳𝘳𝘺 𝘧𝘰𝘳 𝘪𝘵.
𝘋𝘙. 𝘞𝘐𝘓𝘚𝘖𝘕. 𝘐 𝘢𝘮 𝘯𝘰𝘵, 𝘣𝘶𝘵 𝘐 𝘤𝘢𝘯𝘯𝘰𝘵 𝘪𝘯 𝘩𝘰𝘯𝘦𝘴𝘵𝘺 𝘴𝘢𝘺 𝘪𝘵 𝘩𝘢𝘴 𝘢𝘯𝘺 𝘴𝘶𝘤𝘩 𝘢𝘱𝘱𝘭𝘪𝘤𝘢𝘵𝘪𝘰𝘯.
𝘚𝘌𝘕𝘈𝘛𝘖𝘙 𝘗𝘈𝘚𝘛𝘖𝘙𝘌. 𝘐𝘴 𝘵𝘩𝘦𝘳𝘦 𝘢𝘯𝘺𝘵𝘩𝘪𝘯𝘨 𝘩𝘦𝘳𝘦 𝘵𝘩𝘢𝘵 𝘱𝘳𝘰𝘫𝘦𝘤𝘵𝘴 𝘶𝘴 𝘪𝘯 𝘢 𝘱𝘰𝘴𝘪𝘵𝘪𝘰𝘯 𝘰𝘧 𝘣𝘦𝘪𝘯𝘨 𝘤𝘰𝘮𝘱𝘦𝘵𝘪𝘵𝘪𝘷𝘦 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘙𝘶𝘴𝘴𝘪𝘢𝘯𝘴, 𝘸𝘪𝘵𝘩 𝘳𝘦𝘨𝘢𝘳𝘥 𝘵𝘰 𝘵𝘩𝘪𝘴 𝘳𝘢𝘤𝘦?
𝘋𝘙. 𝘞𝘐𝘓𝘚𝘖𝘕. 𝘖𝘯𝘭𝘺 𝘧𝘳𝘰𝘮 𝘢 𝘭𝘰𝘯𝘨-𝘳𝘢𝘯𝘨𝘦 𝘱𝘰𝘪𝘯𝘵 𝘰𝘧 𝘷𝘪𝘦𝘸, 𝘰𝘧 𝘢 𝘥𝘦𝘷𝘦𝘭𝘰𝘱𝘪𝘯𝘨 𝘵𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺. 𝘖𝘵𝘩𝘦𝘳𝘸𝘪𝘴𝘦, 𝘪𝘵 𝘩𝘢𝘴 𝘵𝘰 𝘥𝘰 𝘸𝘪𝘵𝘩: 𝑨𝒓𝒆 𝒘𝒆 𝒈𝒐𝒐𝒅 𝒑𝒂𝒊𝒏𝒕𝒆𝒓𝒔, 𝒈𝒐𝒐𝒅 𝒔𝒄𝒖𝒍𝒑𝒕𝒐𝒓𝒔, 𝒈𝒓𝒆𝒂𝒕 𝒑𝒐𝒆𝒕𝒔? 𝑰 𝒎𝒆𝒂𝒏 𝒂𝒍𝒍 𝒕𝒉𝒆 𝒕𝒉𝒊𝒏𝒈𝒔 𝒕𝒉𝒂𝒕 𝒘𝒆 𝒓𝒆𝒂𝒍𝒍𝒚 𝒗𝒆𝒏𝒆𝒓𝒂𝒕𝒆 𝒂𝒏𝒅 𝒉𝒐𝒏𝒐𝒓 𝒊𝒏 𝒐𝒖𝒓 𝒄𝒐𝒖𝒏𝒕𝒓𝒚 𝒂𝒏𝒅 𝒂𝒓𝒆 𝒑𝒂𝒕𝒓𝒊𝒐𝒕𝒊𝒄 𝒂𝒃𝒐𝒖𝒕.
𝑰𝒏 𝒕𝒉𝒂𝒕 𝒔𝒆𝒏𝒔𝒆, 𝒕𝒉𝒊𝒔 𝒏𝒆𝒘 𝒌𝒏𝒐𝒘𝒍𝒆𝒅𝒈𝒆 𝒉𝒂𝒔 𝒂𝒍𝒍 𝒕𝒐 𝒅𝒐 𝒘𝒊𝒕𝒉 𝒉𝒐𝒏𝒐𝒓 𝒂𝒏𝒅 𝒄𝒐𝒖𝒏𝒕𝒓𝒚 𝒃𝒖𝒕 𝒊𝒕 𝒉𝒂𝒔 𝒏𝒐𝒕𝒉𝒊𝒏𝒈 𝒕𝒐 𝒅𝒐 𝒅𝒊𝒓𝒆𝒄𝒕𝒍𝒚 𝒘𝒊𝒕𝒉 𝒅𝒆𝒇𝒆𝒏𝒅𝒊𝒏𝒈 𝒐𝒖𝒓 𝒄𝒐𝒖𝒏𝒕𝒓𝒚 𝒆𝒙𝒄𝒆𝒑𝒕 𝒕𝒐 𝒉𝒆𝒍𝒑 𝒎𝒂𝒌𝒆 𝒊𝒕 𝒘𝒐𝒓𝒕𝒉 𝒅𝒆𝒇𝒆𝒏𝒅𝒊𝒏𝒈.
(emphasis mine)